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Tea For Two

by Jurenito

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1.
Tea For Two 04:50
Knock, Knock “Who’s there?” “I’m a broken lip” “So what do you want from me?” “Nothing really, Just delivering this box.” So they got the box and they’ve found in it A Pin-up and a Rock’n Roll Star in love With another package in their hands, oh yeah. Uh! The Pin-up and a Rock’n Roll Star opened the box in their hands And in between papers a little girl was doing cartwheels on a bed Her parents used to make her laugh and rarely shouted at her Like in a cute cartoon, well she found quite soon A strong hug arranged for a group of three With a little girl in between To get a bit of share And in the middle of the hug there was a box And in the middle of the box there was a clock Featuring 24 numbers So to make softer the difference between day and night So to find the energy to do as much stuff as they like In the time they got In a bloody love bigger than God, uh yeah. Let’s have a tea for two Let’s have it in three, for two Let’s have a tea for two Let’s have it in three, for two And they lived happily even after
2.
Attitude 04:27
Trying to draft the endless way You Your pencil’s tip bumps into The wry thoughts’ twisted line. Thus you need to review your minds. Black back, painted by gangs of wraiths Pale white front to be designed. You would need a kind of a sign… Trying to draft the endless way You Your pencil’s tip bumps into The wry thoughts’ twisted line. Thus you need to review your minds. Believe in what I’m saying It’s trusty, real, Human beings, attitude Believe in what I’m saying Believe in what I’m saying It’s trusty, real, Attitude Human beings, attitude Believe in what I’m saying Asking me what I can’t say You The sound of my answers bumps into The wry thoughts’ twisted line Thus you need to review your minds Black back, painted by crews of wraiths Pale white front to be designed. You would need a kind of a sign… To draw the line. Just to try to keep your minds. Believe in what I’m saying It’s trusty, real, Human beings, attitude Believe in what I’m saying Believe in what I’m saying It’s trusty, real, Attitude Human beings, attitude Believe in what I’m saying
3.
Dream #42 03:28
The scarecrow was smiling through his lace Engraved with a knife on his wooden face Such a relevant tonnage Looks the harvest, standing leal Such a reliable tillage But the guard is just straw-filled Jumpy crows there were bantering the brave Making fun of the cross supporting grave Such a relevant tonnage Fears the freedom, standing leal Such a reliable tillage But his brain is just straw-filled Such a relevant proudness Looks the harvest, standing leal Such a reliable sadness ‘Cause the guard is just straw-filled” Suddenly came the wind, moved leaves and clouds Unexpectedly strong and howling loud Such a relevant tonnage But not flexible for weals… Such a reliable tillage But the straw’s now turning real… Such a relevant proudness Looks the harvest, reeling leal Such a reliable sadness ‘Cause now straw is scattered on the field.
4.
This Place 03:58
Cold and bare Is my place But is / a core cross-point And stories raise Four big towns Lead to grace In this / core cross-point On its surface Just three ways And a rail With this / core cross-point Oh, Through this / core cross-point Just three ways And a rail With this / core cross-point (core cross-point) A kite is laid ------ But tonite That’s my pain “Oh, lonely am I?” Wet in rain Now, tonite That’s my blame “Oh, lonely am I? God, lonely am I?” Wet in rain Yes, tonite That’s my shame “God, lonely am I? / Calling you” Just in vain
5.
White Wall 04:09
So far you got in front of the white wall No right no left no stairs no falls No upper level to be reached, at all So far you got in front of the white wall You reached walking through the white floor And you've been wearying for miles and more There were supposed to be as well a white door… You reached walking through the white floor Thus, now it's up to you: decide and go You could smash your face against, otherwise no For sure there is no chance to get it low Thus, now it's up to you: decide and go Get back, walk back, don't lean on! Get back, walk back, don't lean on! Get back, walk back, don't lean on! Get back, walk back, don't lean on!
6.
March, 31st 04:26
Save and keep perception As just a few, seven days, are gone Translate reactions Communication is a funny bone Like a dumb I turned a sick game into a war Like a dumb I searched the way But there's just a candle light To get exactly what is she: Evil or love We'll meet as an exception Just few clear words and then it's done Who feeds affection Is the one who trusts an higher Lord And I don't feel those dogmas which make a man a stone And I don't feel those dogmas But look for a candle light To get exactly what is she: Evil or love Then we talked for long And all those good intentions are drowned We felt so lonely As bodies were so stretched in just one lone And I gave her all the pleasure I could know And so she gave herself the chance To turn the candle light on To get exactly what is me: Evil or love
7.
Well, it was quite late at night // and all those cars were brightly shouting A man in front of his jealous woman’s suspicions was answering Like in a police interview, he was feeling guilty and she knew You know, the woman actually // was quite ruling the game She was recording the whole scene, she was doin’ it frame by frame And his reactions were dissected ‘till the door knocked, sounded A loud beat // and then two And both their hearts // were beating too An annoyed voice summoning out there from the glooms. The two of them looked each other asking what to do “Would we open the door or let’s complete our interview?” Actually he perfectly knew // the reason why somebody was asking from there through Finally the man indolently walked to the gate And said a secret word in a low voice ‘cause that’s the way The intruder answered with the right response… there are pros and cons… So the door was finally opened and the doom got in the hall They shook the hands like two old buddies meeting in a mall The woman paled ‘cause something was really about to befall The man's shirt was buttoned // and he put on his pants A serene resignation, like a millionaire resting in between exotic plants Than he stopped standing in front of their guest and you can imagine what the rest! The execution was pretty fast // and the silencer did an effective job And in a short time, he'd be just meat, pretty well rotted to a glob. A sharp shot in the forehead // a smoking hole smelling bad And from that hole, suddenly, came out a waft And from the hole, rapidly, it moved faster than a hovercraft It plunged into the intruder’s mouth who began to fidget but could not shout So the soul of the killed man took possession of the intruder body and then The victim raised his level // to the killer’s level when The woman loosing part of all at the scene run to the kitchen, took a knife and came back in She was feelin’ quite offended in being observing and not involved She was definitively hurt, insulted, harmed, injured “This fucking guest came into my lodge, he took away my man and interrupted my fucking talk!” “Well you, fucking bastard, you ought to say your prayers now Because a truly insulted woman can slaughter you like a sacrificial cow I do not get the reason of your fuss and shaking but be sure I’m gonna stop it with my stabbing.” And so she did, she killed the intruder with thirty-six stab wounds And blood was all around just like autumn leaves in a wood And once she stopped herself panting, gasping, a little waft began surfacing And what was coming out, well, it was exactly the same waft And from the wounds was fluttering faster than a hovercraft It plunged into the woman’s mouth who began to fidget but could not shout So the soul of the killed man, passing through the intruder body, like a bridge Flight from mouth to mouth ‘till reaching the woman’s body indeed And once the chief of this new body was actually the blew, the first thing he did was destroying the recording of his woman’s interview. (OK guys, I guess we got almost half an hour of shit now. We can even stop playing. That’s a cool job guys. Thank you everybody. We can even stop playing.)
8.
Yes it’s true, I’m quite sure that Jesus is gone But in just three days he’s reborn For sure that’s a fancy art-form ‘Cause me, I believe, I’ll be done And never become A flame nor a white sacred host I believe, I’ll never become A presence in your days You can depend ... ...on, Love. Yes it’s true, That your dad he is a bit more And even death trembles afore encountering his eyes But she can’t avoid her exercise If you think so, we can try a compromise She’d walk away for good wine and cooked rice Uh uh And never be back to our lives Uh uh And never be back to our lives And that’s it

about

Jurenito's third album.

credits

released March 31, 2019

Music: Jurenito.

Lyrics: Umberto Bellodi [aka Jurenito] and Valentina Zanzi [aka v.].

Jurenito plays: vocals, acoustic and electric guitars, 6-strings banjo, lap steel electric guitars, bass, harmonica, body percussions and programming.

Cover photo: v.

All songs are owed to my wife, my daughter and several inspiring artists.

Composed in Central and Southern Italy during summer 2018. Recorded, mixed and mastered in autumn 2018 at the Arata Recording House, Italy.

Produced by BU (!)

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Jurenito Italy

Jurenito is a project matching music, visuals and thoughts. It is based in Nowhere.

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